20 December 2006

The Quiet...

A few years ago, I was reading George Carlin's book Brain Droppings, and he had a fascinating tidbit in there about the noise of the world now and the world little more than one hundred years ago. He mentioned that one hundred years ago, there were no cell phones, no televisions, no satellites, no internet, no radio. Today there are waves of nearly every form and frequency flowing through the air and through our very bodies. Constantly. We are ceaselessly bombarded now. One hundred years ago there was nothing. Complete silence. No wonder disappearing into the high California mountains has always felt so healing and clean (despite the usual company I was with.)

This thought came back to me the other day as I was getting my morning dosage of my unfortunate addiction. At the gas station, pumping through the speakers that freezing morning, was music. A radio station is on for all to hear. It occurred to me that not all too long ago, one would rarely hear music on a daily basis. At least not as we do today.

From every direction and angle, music is piped into our lives. There is now no longer a corner of our world free of music. That is not to say music is in any way a bad thing. Humans have always not only enriched their lives through music, but have used music to help define it. But now, the overuse of music has diminished its impact, leaving it trivial and empty.

Perhaps this is evidence of a different situation altogether. Having all this music around to accentuate our lives is creating something. We now can have our own personal soundtracks as it were. As though one's life is a movie (which many dream it could be), background music can emphasize, accentuate, or even change our moods. One may envelop themselves into a world of their own creation. Well, not exactly their own creation, as the music is composed (or, more frequently, manufactured as I tend to call it) by those not even remotely connected to them.

Individuals seem to now close themselves off from the world more frequently and quite voluntarily. They see and hear only what they wish to. The true reality that they are in fact touching, smelling, and hearing, is being shunned for their own preferences. A music player always in their ears and colored sunglasses in front of their eyes, they drown out the world around them to instead feel what they have carefully filtered and adulterated. The sense of distinction between what is actual versus notional, as well as the feelings of connection to what naturally encompasses us all, dull to the point of numbness.

The topic of this sort of self-absorbtion is one on which I shall assuredly return. While I am a strong believer in the idea that the individual human will is the single strongest force we know in this world, I also fall into what is simply a truth; that we are not alone and that we are inherently social creatures. The soul of a single person grows from its interactions with others, and it is this collection that creates a community, allowing us to achieve more than any one person could ever possibly do.

And that last paragraph gave me a whole other set of ideas to play with. Toodles~

13 December 2006

Dvorak...

I've recently decided to try a little experiment. On my old PowerBook, I have decided to rearrange the keyboard. It now has the Dvorak Simplified Keyboard layout. I'm still quite slow on it, but I only just changed the keys last night. It does feel like a more natural way of typing the English language.

For those who don't know, here is what the Dvorak keyboard looks like:

The main principle behind its design were to make one's fingers alternate between vowels on the left hand and the heavily used consonants on the right hand. I'm actually typing this entry using this system, and I can already tell the difference. So far I think the hardest change is the 'L' key.

I have had an interest in the Dvorak system ever since I was little. I remember reading an article about it in US News and World report and being mystified by the fact the QWERTY keyboard was designed to slow a typer down. What boggled my mind even more was that people didn't switch to a better keyboard with the creation of the electric typewriter or the personal computer. So I've always had an inclination try it out, and now that I have an abundance of computer gear I figured I'd be able to learn without interfering with others' work.

While seeking the settings for this different setup, I came across this article which had apparently been originally published almost exactly one century after the invention of the first typewriter. It shows some of the research Dr Dvorak of the University of Washington, Seattle did. It is quite a fascinating read. For a little more information, I also read the Dvorak keyboard entry at Wikipedia.

So far, I like the way this works. Besides, what can it hurt? It's not like learning this new system means I'll suddenly forget how to type the other way. With each new musical instrument I get under my fingers, I'm still able to play my saxes with no trouble. I highly recommend this experiment to anyone if they have time enough without anything urgent on their plate.

Ta~